Art is not simply a response but a rehearsal of multimodal meaning-making—an embodied, relational practice where gesture, sound, silence, and memory unsettle colonial grammars of knowing and being. In this sense, art is not a tool of conversion, but a practice of radical consideration: refusing the demand to explain away difference, to translate it into dominant terms, or to render it palatable. Instead, it listens otherwise—holding space for opacity, friction, and co-presence.
Each work activates a pluriversal terrain—where multiple epistemologies, histories, and voices resonate without hierarchy. These are not representations, but encounters: contested, affective, and co-created. Here, language becomes a shared ecology of difference—shaped by conflict, care, and co-presence.
In resisting the colonial desire for purity and control, I invite participation not as passive spectatorship, but as a practice of political listening and epistemic responsibility.